Boom Clap Bachelors are a collective of producers, live musicians and DJs out of Copenhagen making magical music – think Broken Social Scene but with more emphasis on Soul elements.
A talented keyboard player with a soft spot for Casio sounds, Stephanie Brown a.k.a Lips isn’t your run-of-the-mill singer-songwriter. The mingling of dulcet tones with idiosyncratic beats places her comfortably alongside Little Dragon and Zero 7, in a realm of Electronic-Pop that seems to be dominated by female artists. Lips performed extensively in her native New Zealand before moving to New York and releasing contagious anthem, Everything to me, in 2010. The track personifies that fervidly desperate plea to vanish from the daily grind, under the surreptitious guise of a lucid pop song. It draws an almost inverted semblance with Bill Withers’ Lovely Day, replacing the celebration of Bill’s sunny morning verve with an anesthetised lament of Monday morning melancholy that has the ability to, in the same way as Lovely Day or Zero 7’s Home, lull you into a coma of comfort.
With the recent release of Jacques Greene’s new track with Koreless, we thought we’d bring you a new producer who likes to dabble in RnB samples. Despite still being a Music Tech student at Birmingham City, Guy Furious has already achieved a fair bit. It’s his exploration into Future-Garage on EP Pillow Talk that caught our attention the most.
With so many Stamp The Wax favourites under one roof, this was just too good not to tell you about. Church Presents: Boddika, Synkro, Disclosure, Ifan Dafydd, Juk Juk and Damu
Sam Harrington gives a run-down of his Top 5 releases from Trax Records…
Knxwledge has to be one of my favourite producers at the moment, always blending copius amounts of high-grade Soul, Hip-Hop and RnB records into his Synth-Hop style production…
Released on January 1st 2012, Patrick Loggins a.k.a. Time Wharp has wasted no time in unleashing pure unadulterated sonic joy to the world in the form of track yrLyf.
The xx need no introduction really and it’s just as well as we should be on a break at Christmas. So here’s the first material since their Mercury Award winning self-titled album of 2009, leaked yesterday on their blog.
Since forming on the very fringes of Britpop in the early 90s, Death in Vegas have never failed to challenge genre boundaries, foraying from their very organic, electronic sound into trance, dub and krautrock. It has been seven years since the duo last released an album and fans have been hungry for more of their menacing sounds; a hunger that was evident amongst the sell-out crowd at Thekla…
Azealia Banks, the vibrant 21 year old rapper from Harlem, is back to give us one more fix before the year is up. Since the profanity-nourished track 212 went viral, there’s been some whispers of a debut album come 2012 plus rumours of business phonecalls with Kanye West.