Electronic

Artist Spotlight: DJ iZem

Co-founder of internet world-music radio station Groovalizacion, DJ iZem has now turned his hand to producing his own. Turns out he’s rather good. Exposed to so many different musical cultures at Groovilicion, it’s no surprise that Debaixo D’Agua, his debut EP released this month, is an eclectic affair. Full of energy, it effortlessly blends dub, soul, hip-hop, Brazilian, post-dubstep…

New Release: Burial x Sisqo – Stolen Thong

Since his 2006 self-titled debut was released on Hyperdub, Burial has become one of the biggest names in Electronic music with what is now recognised worldwide as one of the most unique sounds to grace the garage scene. For those unfamiliar with Burial (where have you been?!), I recently…

New Artist: Juk Juk

If you want to get your beats noticed, there aren’t many better people to turn to than Four Tet’s Keiran Hebden. And there are few better ways than to hand-deliver it to him after a set. That’s what Caleb Waterman did at London’s Plastic People and now he’s signed to Hebden’s label Text. Winter Turn Spring is a prime cut of 2-step, brought alive with some great vocal sampling and scratchy bass. Sit back and let it take you away.

New Artist: Psychologist

It takes a brave man to make music through minimal sound effects and the raw power of his own voice. Before James Blake took such a leap of faith at the end of last year, there was Iain Woods, the man behind Psychologist. And whilst the former basks in his critical acclaim, the latter carries on creating less recognised, yet equally magnificent music. His sound falls somewhere in between two ends of the minimalist spectrum – the bass-driven Blake and the piano-led melodies of Oupa and Perfume Genius.Recorded in a church, Waves Of OK is the first of two EPs released by Psychologist this year and, as a result, each of its five unnerving songs have a real hymnal quality. The standout is Come In Waves, which sees Woods’ voice take centre stage, so distinguishable that the piano and bassy sound effects are just an afterthought. Be sure to explore some other highlights on Psychologist’s Hype Machine page, and watch out for the second EP release later this year, which contains further electronic explorations.

New Release: Lucky Paul – Slow Ground EP

London label Somethinksounds (an offshoot of cult culture magazine Somethinkblue) is about to storm the Electronic scene with the soon to be released Slow Ground E.P. by wondrously talented Lucky Paul; a new Electronic producer from New Zealand. Though currently residing in the Electronic epicentre of the world, Berlin, Paul has been on

New Artist: Youngteam

Yesterday, sonic chameleon Travis Stewart (aka Machinedrum and one half of Sepalcure) tweeted the sounds of star pupil Will Johnson (Youngteam) from The New School in New York. Taking influences from Samiyam, Bonobo, Boxcutter and of course both of Travis Stewart’s projects, 19 year old protégé Youngteam has climbed aboard the fast moving ship of loose Garage in a vast ocean of Electronic music. Being a guitarist has pushed his sound into new quarters, with track Seasondeux fusing an acoustic guitar riff with ambient chords, spaced-out arpeggiators and rolling drum hits, in a similar vain to Mount Kimbie. The track is utterly absorbing and we can only dare you to listen below and not get pulled into its nebulous atmosphere. Lets hope we get more of the same in the coming months.

New Artist: Throwing Snow

Throwing Snow is a London/Bristol based producer making some very interesting electronic music. In his own words, he writes ‘anything from Folk to Dubstep’, though we haven’t been so lucky as to find the former. Aside from his production skills, TS is also a music consultant at Hear No Evil and CEO of the label A Future Without, featuring loads of artists we love (Baba Yaga and Augustus Ghost in particular). He’s already done remixes for Gold Panda and Kidkanevil, and his most recent release Un Vingt/Cronos has been remixed by the likes of George Fitzgerald and d’Eon. Throwing Snow’s production style is driven by minimal layers; mostly analog synths and splintered 2-step beats. Though each element is often simplistic in its raw terms, he does have a tendency to heavily automate his tracks with gleaming pitch-bends and chop/screw samples. All in all, our kind of music. Below is a track off his most recent release and an older tune called Naked Dance for you to enjoy.