In their third Louisiana appearance in as many months, the melancholy Bristol group Seasfire commenced what would turn out to be a very enjoyable evening within the venue’s tight confinements. They reached their peak at the times when glitchy hi-hats and sampled keys met with lead singer Josh Thorn’s half whispered croon for their thicker, more desolate tracks. The dark lyrics, pop-friendly piano and effective use of silence proved Falling to be a noteworthy highlight.
All in all, the dreamy atmosphere Seasfire created was an ideal precursor for the main act. And in anticipation, the audience were becoming more animated, picking up more energy, following the lead of Big Jeff, the Bristolian regular, who was present and bouncing.
Following the break, the American producer Emancipator came to the stage for a varied DJ set, which gave off a quite typical electronic feel whilst also maintaining his usual organic approach. The effect was a cinematic soundscape, effectively tying in violins, violas and bangos with rich, globally-tinged beats into a treacly ambience. Though the appearance was promoting his third album, Dusk to Dawn, it was tracks from his first like First Snow that kept the crowd keen and calling out for more.
Two thirds through saw a smooth transition to House, changing the night’s dynamic from chilled show to hybrid club-gig. Emancipator took frequent swift glances towards the crowd seemingly to determine their response and to calculate his next step. Sampled Hip-Hop tracks featuring Mobb Deep (Shook) and Nas (One Love) appeared towards the latter end, as Emancipator returned to Trip-Hop. After staying on-stage for a few extra, unplanned songs, offered his thanks to a responsive audience and finished his set.
