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New Artist: Throwing Snow

Throwing Snow is a London/Bristol based producer making some very interesting electronic music. In his own words, he writes ‘anything from Folk to Dubstep’, though we haven’t been so lucky as to find the former. Aside from his production skills, TS is also a music consultant at Hear No Evil and CEO of the label A Future Without, featuring loads of artists we love (Baba Yaga and Augustus Ghost in particular). He’s already done remixes for Gold Panda and Kidkanevil, and his most recent release Un Vingt/Cronos has been remixed by the likes of George Fitzgerald and d’Eon. Throwing Snow’s production style is driven by minimal layers; mostly analog synths and splintered 2-step beats. Though each element is often simplistic in its raw terms, he does have a tendency to heavily automate his tracks with gleaming pitch-bends and chop/screw samples. All in all, our kind of music. Below is a track off his most recent release and an older tune called Naked Dance for you to enjoy.

New Release: Ghostpoet – Survive It

Since entering the music scene, Ghostpoet has been showing Hip-hop how to calm down. His debut LP Peanut Butter Blues and Melancholy Jam is so refreshing in its approach you would have to go back as far as Original Pirate Material for an album of similarimpact on UK Hip-hop. Survive It is Ejimiwe’s latest release and acts as a reminder that the 24-year-old is refusing to conform to the blueprint of brash and boastful lyrics. With a lisped voice and storytelling stlyle, Ejimiwe adopts the persona of a modest 44-year old and transforms a tale of a mundane existence into a hopeful tune, aided by Fabiana Palladino’s uplifting chorus. This is a track that will certainly fit various moods, and if you’re interested in hearing a style less conventional, then don’t let Ghostpoet go unnoticed.

New Artist: Ifan Dafydd

There is little known about Welsh named Ifan Dafydd. With only two songs to his/her name and no official website or label backing, Dafydd is certainly under the radar. Applying an extremely similar style to that of James Blake’s pre-album material, speculation is fast spreading as to whether Ifan Dafydd, likeHarmonimix, is just another alias that Blake hides behind. Amidst all this uncertainty the only thing we can really be sure of is how great the music is. Dafydd’s No Good organically corrupts Amy Winehouse’s You Know I’m no Good with pitched-down samples, warm synth-lines and sparse wooden claps to create a rich and intimate sound. It’s accompanied by a chopped and screwed video of the original Winehouse song that you can watch below. We’ve also treated you to a new release by the mysterious producer that popped up a few weeks ago called Tree House. Whoever it is that’s making these sounds, Ifan Dafydd is without a doubt a talent to to watch and admire over the coming months.

Live Review: Monument Valley & Daughter @ Old St Pancras Church, London

Part-founded by Ben Lovett of Mumford & Sons, it’s no surprise that Communionare gaining quite a reputation for unearthing excellent folk and soul artists. Stamp The Wax has already featured Communion’s Michael Kiwanuka and Matt Corby, but two more are also deserving of our praise. In tune with the family feel of their label, Communion put on monthly music nights in unique venues around London. Given the success of the evening and the quality of music, it was therefore surprising to learn this was independently organised. Communion or no Communion, Monument Valley and Daughter are certainly worth taking note about.

New Artist: Jacques Greene

Since Joy Orbison’s iconic Hyph Mngo emerged onto the Electronic scene in late 2009, producers worldwide have been attempting to replicate such an effective sound, steeped in raw personality and sheer vibrance. Jacques Greene is one artist that successfully delivers on both fronts. Mary Anne Hobbs featured the Montreal-based producer’s first release The Look EP on her last ever BBC show, a sign of the great things for Greene that has now progressed into the dazzling new song Another Girl. Injected with a contagious R&B hook, floating pads and a climbing rhythms, it is sure to be the Future Garage summer anthem of 2011.