Isn’t it nice when you hear a genre in its purest form…
We featured the sounds of Bristol producer Stumbleine over a year ago…
Alt-J’s debut album An Awesome Wave is hands down one of our favourites this year. If you’re still yet to hear it, head straight for our review here, after reading this. It’s not just us who like it; they’ve been getting some serious love all over the interweb. So it’s not surprising the first official remix from the album is courtesy of some very credible players.
A few months ago we brought you the first demo from The xx after their Mercury winning debut album. Since then, they’ve been touring and a number of videos have emerged of new songs from the shows. Just moments ago however, the first official release has surfaced.
We’ve been waiting for some time to find a reason to write about Alt-J and the recent streaming of their quite brilliant debut album has provided such an opportunity. We’d even go so far as to say it’s one of our favourite guitar albums of the year so far.
While he may be making waves in his native Australia, Oliver Tank remains a fairly unknown entity in these parts. Probably the best way to describe his music is using his own words: accessible tracks disguised in a more interesting instrumentation. Accessible because they definitely have some pop sensibilities, but are given a twist by his own electronic production, like other newcomers Polica.
XL’s Enigmatic Singer/Songwriter Jai Paul has kept fans waiting since 2010’s BTSTU for some new material and at last he delivers. It’s a bit of a slow-burner compared to his last effort…
We first heard Rhye on an excellent mix Robbin Hannibal put together for Gilles Peterson in October last year. Back then they were called Rye and there was no information available on them, except that they were signed to Innovative Leisure. This month they finally released Open, the track that had first caught our eye.
Touring their new album, ‘Rooms Filled With Light’, Fanfarlo have taken a real musical step up after their Indie-Folk 2009 debut ‘Reservoir’. Adam Sheridan explains why in his review of their Thekla gig last night.
Standing in a sparsely populated hull of a ship is already an odd sensation. This is multiplied however when waiting to see a five-piece from Nottingham that operates under the name ‘Dog Is Dead’. Naturally with this kind of name one might expect a virile metal concoction to make your ears weep. Yet the noise that emerged was entirely different. I’d be lying if I said their sound wasn’t essentially poppy, with strong hooks and brazen melodies, but unlike much other cannon fodder around at the moment, they manage to dunk these tunes into a layer of simple synth and tasty harmonies you can sink your teeth into. Moreover, the versatility of this band meant they were able to produce a saxophone to delicately (and rather brashly at times) play alongside the riffs, giving them a slight edge in this indie dog-eat-dog world.