Joshua Brill

Anthony Valadez – Just Visiting

From what we’ve heard, if you live in L.A. and follow the Hip-Hop beat scene even just a smidge then you will have, at some point, witnessed an Anthony Valadez DJ set. The L.A. based Hip-Hop DJ/producer has residencies at some of the best clubs in and around California, not to mention a regular slot at Santa Monica’s famed KCRW terrestrial radio. In 2009 he released his first full-length EP, Audio / Visual : Sounds Inspired by all Things Visual, which brought an enigmatic fusion of sample-based and live experimental Hip-Hop to our ears, rich in texture and injected with a generous dose of soulful goodness. He’s now teamed up with the amazing label Plug Research to release his second LP Just Visiting, a vibrant collection of sparkling beats and delicate melodies with collaborations from the likes of Mar (of Full Crate and Mar), Anna Wise (of Sonnymoon) and Def Sound. You can stream the whole album at the bottom of this page, and check out our favourite tracks off the album with accompanying [brand new] visuals below.

Live Review: Exit Festival x Jack Daniels Experience

This weekend Stamp The Wax attended the Eastern European music festival Exit, situated in Novi Sad, Serbia. Every year over 20,000 music lovers descend upon the magical Petrovaradin Fortress that overlooks the river Danube to experience some of the most diverse and cutting-edge music the world has to offer.

To give you a bit of context, the festival began in 2000 as a student protest against the Milošević regime and is still a relatively non-corporate event, with cheap food and drink. This fact, along with Serbian hospitality and amazing music has helped Exit Festival become one of the best European music festivals, being visited by 60 million people in more than 60 countries worldwide and amongst the top 10 world festival destinations.

Tracks You Might’ve Missed: Full Crate and Mar – Lovely Steps Mix

Shortly after Amsterdam duo Full Crate and Mar released Conversations With Her back in 2009, the Future-Soul dream-team dropped this 43 minute mix of handpicked gems, meticulously pieced together by Full Crate and powdered with Mar’s silky voice throughout. The choice of tracks is genuinely sensational, and it makes for perfect late-night listening. Mar’s ad-lib harmonies throughout adds a touch of personality that you don’t tend to find in mixes, and it also gives us a chance to hear ‘exclusive’ (albeit old) content while we wait for the next full record from the boys. Listen below or download the mix for free right here.

New Artist: Wiki

The messiah of East-Coast Hip-Hop has landed in a neighborhood of Upper West Side, Manhattan, and comes in the form of 18-year-old gutter kid Wiki. Whilst Odd Future have exuded an MTV flex, bursting with trendy snapbacks, Supreme rags and skateboards on the West Side of America, New York has become a platform for left-field Harlemites Azealia Banks and Asap Rocky to hold down the concrete jungle, until now. Wiki a.k.a. Patrick Morales (along with recently featured rapper Joey Badda$$) is bringing back the dusty rawkess Hip-Hop of the 90s, full with New York sewer-style attitude. Wiki released his debut EP 1993 in October 2011 but only since visuals were added to lead track Wikispeaks has the world started to take notice. The 1993 EP was on his Bandcamp until late, but that has mysteriously disappeared now. We won’t speculate on why just yet but keep your eyes peeled for big things, and take a look below.

RTKaL – SLENG TENG

Big movements coming out of Birmingham right now in the form of rising star RTKaL, blowing fresh air (and a whole lot else) into the UK Urban scene. Following brief flirtations with UK Hip-Hop in the last few years via his Bandcamp, RTKal a.k.a. RTillery a.k.a. RTizzy a.k.a. RTiculate seems to of found his lyrical feet within a more upbeat tempo framework, swinging from Grime to UK Dancehall with devastating energy. His freestyle over the digital reggae blueprint riddim Sleng Teng, created by King Jammy and Wayne Smith back in 1985 (one of the ‘foundation stones of digital dancehall’) is mindblowingly good, and it’ll keep us going till the rest of his new music drops on his forthcoming mixtape 48 Hours.

The Invisible – Wings (Floating Points Remix)

After 3 years of silence from the English trio, Experimental-Indie band The Invisible may well have escaped your memory. To give your mind a little jog, their debut album was nominated for the Mercury Prize and selected as the critics choice for iTunes album of the year back in 2009, being hailed as the ‘British Broken Social Scene’ and ‘masters of Ambient Pop’. Since then the band have been keeping busy working on other projects, with frontman Dave Okumu co-writing and producing Jessie Ware’s debut album ‘Devotion’ (released 20th August 2012) and drummer Leo Taylor recording on Adele’s multi-platinum selling ’21’. But after a long wait the band have finally regrouped to release follow up record ‘Rispah’ (out on Ninja Tune), a dedication to Okumu’s late-mother. This remix, by London producer Floating Points, fuses the dreamy vocals and guitar riff found in the original track with ambient synth lines that rise and fall over the ghost of a garage beat, elongating each strand of frequency to 7 minutes of ultimate chillout.

New Release: Booda French – 61 Grace (Prod. j57)

East Anglian rapper Booda French (a.k.a. Don’t Flop battle rapper Truth) has recently released this video to accompany the audio for his track ’61 Grace’, off his upcoming E.P. ‘Ventolin’. Set on his home turf of Ipswich, the video follows Mr French round as he raps (and sings) about his rainy hometown. The beat is spilling over with pure soul, courtesy of producer J57 (part of The Brown Bag Allstars collective), whilst visuals come from the Don’t Flop/Be Established camp. Big up this new fresh talent.

Preview: Big Beach Bootique Brighton 5

Returning for its 5th year, Fatboy Slim’s Big Beach Bootique is set to be Brighton’s biggest party of the year. Since attracting some 65,000 people in it’s first year, BBB has quickly become notorious around the world, with people flocking from all sides of the globe to rave it up. In 2009, an estimated 250,000 (that’s right, a quarter of a million) dance-music fanatics descended on Brighton beach in what was supposed to be a 35,000 capacity event, that quickly became headline news worldwide (you can watch live footage of the event here).